A PERFORMANCE STUDY OF ABIDA PARVEEN’S TU JHOOM
Keywords:
Ethnographic Musicology , Sufi Performances , Abida Parveen , Semiology, Spatiality and AudienceAbstract
This research paper studies a selection of Abida Parveen’s Qawwali performance of Tu Jhoom with a primary focus on the impact of spatiality, semiocity and lyrical composition on the audience and the performers. Moreover, the paper investigates into the depths of Tu Jhoom from a theoretical viewpoint, which focuses on the performative tools, the scenographic actions and bodily semantics employed by the performers, with a particular focus on Abida Parveen’s musical persona, which is essential when it comes to producing the desired impact. By using the theoretical frameworks given by Erika Fischer-Lichte, Regula Qureshi, Richard Schechner, and Hartmut Böhme, this paper gives a detailed understanding of how Parveen’s technique of Sufi performances captures the essence of spiritual spaces, which allow the audience to experience transcendence- the motive of Sufi performances.
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